Latter Years of a Pampered Life!

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Location: Etna - 41º 26' 31.27" N 122º 54' 07.60" W [My Grid Square is CN81nk] KB7BNW@KF6ZSY Elevation: 3032 feet above sea level,, California, United States

All my life was a preparation to the pinnacle of my being, meeting and knowing Father Seraphim. Everything in my life led to this. Since his death I can find no peace of heart unless everything in my life is in some way an awareness of the reality that I am living the rest of my life the way I am, because I met and knew Father Seraphim.

Wednesday, July 08, 2009

MIRACLES OF THE ROYAL MARTYRS

MIRACLES OF THE ROYAL MARTYRS.




1. A HEALING FROM GRAND DUCHESS MARIA

The following was received from a woman from Siberia, Nina Kartasheva:

« The truth of things hath revealed thee to thy flock as a rule of faith, and a model of meekness.... I'm reading the Troparion to St. Nicholas as usual and recall the days of my childhood in the far northern Urals, in Verkhoturye. Both of my grandmothers had been exiled there in the 30's with their children, who later became my parents. I came into the world in a later, more peaceful time. There was no longer any overt repression, and no one considered my grandmothers as exiles. But during Khrushchev's time the attitude towards the Faith had again become, to say the least, abusive; but if one were to speak more strictly and correctly, it was intolerant. However, irregardless of that, in old Russian families the traditions, religious practices, and the Faith itself were preserved. The elderly Orthodox people of the settlement of the special-status exiles stood firm: 'They won't send us any further than Verkhoturye!'

I was then still a young girl, a seven-year-old second-grader. It was December 5 (18), the eve of the Feast of St. Nicholas the Wonderworker. Our Church celebrates this great Saint twice a year, and in the common parlance these feasts are called Winter Nicholas and Spring Nicholas, December 19 and May 22, according to the new calendar. After school, after I had eaten dinner and played for a while, my grandmother seated me at the table under the icons to write out the Akathist to St. Nicholas for a sick aunt. Even now I vividly remember the thin notebook and its horizontal lines; on the back cover was printed the solemn oath of the young pioneer. I remember my porcelain inkwell, painted with gold butterflies, and its little lid, and my pen with its wonderful #12 nib. I neatly and painstakingly wrote the prayerful words and hurried just a little bit, because soon the children would be coming for me so that we could go skating and jumping through the snowdrifts together. But I rushed painstakingly, so that my grandmother would be satisfied and let me go. In the morning she and I would be going to church, and I was afraid that she might forbid such a worldly amusement.

The children arrived when I had finished writing the thirteenth Kontakion and had begun writing the prayer. I asked them to wait until I was done. The fidgety Lyuba poked her nose into the notebook: 'What are you writing?' I turned away: 'Something ... my grandmother needs it.' But the children had read the word 'Prayer.' In school the teachers and youth leaders had already explained to us that there was no God. The most politically conscious of them began to tease me, and the most advanced one, Tanya B., made her ink-stained fingers into a figushka* (* A rude gesture.- Translator) pointed them at St. Nicholas in the icon: 'Here! Look! I'm not afraid of your old fogey gods! What do you think-will he cut off my hands, feet and ears? So there!'

Blotting what I had written and closing the notebook, I blinked with confusion, glancing at the solemn oath of the young pioneer. My grandmother came in from the other room, stern but dear. She took the notebook and looked at what was written in it. The children quieted down and edged towards the door: 'Come on out, we're going to run around behind the sheds.' But my grandmother wouldn't let me go. I was ashamed to tell her about Tanya's outburst. My grandmother would have considered even the word 'figushka' to be wild and unseemly on my lips, which, of course, it would have been.

"We were in church on Sunday. I stood right by the icon of Winter Nicholas-in this icon the Saint is painted in a miter, whereas in the Spring icon he has nothing on his head. In the church I liked the Winter Nicholas-it was more majestic. But at home I liked our Spring Nicholas, with his high forehead and its receding hairline and the dear features of his face. I stood by the icon and couldn't figure it out. Was Tanya a good or bad girl? I somehow didn't consider her to be either bad or good, but if she didn't believe in God it was because she was 'advanced,' and therefore I decided that it was possible to pray for her.

On Monday Tanya came to school with her arm in a sling. They had left us the other day to take a walk behind the sheds, and some courageous boys were jumping off the shed roofs into the snowdrifts there. The girls, who had been educated in 'equal rights,' decided to test their nerve. Tanya at that time dreamed of becoming an astronaut and jauntily jumped first from the roof into a snowdrift, but quite unsuccessfully. The girls brought her home and told her mother what she had done at our place before the icons. Her mother then told off our teacher: 'See, God punished Tanya--though it's all right, since it's not a fracture but a dislocation. What's the matter with you, Olga Nikolaevna, that you sick the children on God? Is He bothering you?' Tanya's mother, aunt Marusya, was a straightforward and ingenuous woman. Tanya is now a respected mother of two children. Her husband's name is Nicholas, and she always says, 'I've believed in God since the second grade, and I've never doubted.'

In the second grade I was really my grandmother's granddaughter. I loved her very much, and therefore I simply could not anger her in any way. That would have been unnatural, while to be obedient was easy and simple. And that's how it was until the eighth grade. And then there came the most frivolous age, when the boys were paying me a lot of attention and I became very interested in apparel, dances, movies, and books on adult subjects. On top of that there was, as they say, 'the tyranny of peer pressure.' And my circle of school-friends looked upon my grandmother as a 'holdover from the dark past.' My classmates already had modern hairstyles and were wearing their skirts above the knee. No one yet dared in the eighth grade to wear makeup, but they were already trying to wear pants. I myself wore old-fashioned dresses and a braid with a black, also old-fashioned, ribbon. After all, fashion did not exist for my grandmother, and her dresses were of an old-fashioned cut, down to her ankles. They were of black wool in the winter and of staple-cloth in the summer, with a cream-colored collar clasped with a brooch. But she was a grandmother, and I was a young woman, and I wanted different-colored dresses!

Now it was again December 18, the eve of the Winter Nicholas. My grandmother was getting ready for church. We were to leave together for the city by bus, but once there I set off for music school, while grandmother went to the nuns, who lived next to the church in a little wooden house. They were secret nuns, nuns in the world, as was my grandmother. I was told to come to them after my lesson at the music school, to go to the services in church; afterwords my grandmother would decide whether to keep me there to spend the night or to send me home. By the school she parted with me: 'Well, my child, come to pray!'

Now, in my mature years, it would not really be so indiscreet to say that at the dawn of my tender youth, at fourteen or fifteen years of age, I was probably a good-looking girl, and this hindered me from remaining within my grandmother's sphere of influence. Even the teacher of musical literature, a student-teacher from the Sverdlovsk conservatory, favored me with special attention and conversations. He read me the fashionable poets Yevtushenko, Voznesensky and Akhmadulina, and said that realistic art was 'Stalinist stuffiness.' He told me about Picasso and was exasperated at the 'mediocrity' of our Russian wooden houses with their carved window sills and their frames in the form of a cross: 'How much better Italian windows are!' And when I timidly objected that we have a severe climate and that Italian windows would let the cold in, he insisted that beauty was more important than warmth. But I loved our native beauty, even in our lacy window-casings, and therefore I held out against his weak explanations .... Was it in the conservatory that they had fostered in him such xenophilia and scorn for his own culture? He himself was an ordinary Russian boy, although then he seemed to me to be very grown-up and intelligent.

That day he said to me, 'Wait, I'll walk you to the bus.' I was frightened: 'You don't have to, I'm going to see my grandmother.' 'And where is your grandmother? Doesn't she live with you?' 'She's with friends today.' It felt awkward for me to let him know what was going on, but the young teacher was not afraid, even of my grandmother, and his intentions were most honorable, so we left school together. I was already a final-year student, and was considered to be almost an adult. Teachers were quite highly regarded in the provinces and so, of course, I didn't dare tell the teacher that he need not accompany me.

The teacher and I approached the outskirts of the city, where the cemetery rested under the snow, and where the lone open church glimmered. Beside it were two little houses. In one lived the widowed priest, and in the other lived the nuns. My grandmother saw me from the window and came out to the gate. She was in her black klobuk*(* Formal monastic head-covering. - Trans.) and I was horrified, that now everyone would know that she was a nun. My grandmother recognized the teacher-she knew all my teachers and classmates. She greeted him and asked, 'Have you come to pray too, Valery Nikolaevich?' Poor Valery Nikolaevich blushed, and I felt how ashamed he was for himself and for me-that I was so outdated and went to church with my grandmother. He muttered something and clumsily took his leave. And I, among the dear old pious women, suddenly felt sad and depressed. I saw myself through the eyes of Valery Nikolaevich as someone not up-to-date, who didn't understand Vozoesensky or Picasso. 'Grandma, I'm not going to church. I'm going home.' My grandmother was displeased, and I saw it, but persisted. She let me go.

At home, without my grandmother there, my father and stepmother acted like children! The television blared, and Papa's hunting dog, Burka, leapt about in the kitchen, although in my grandmother's presence she didn't even peep at the porch. I stood in front of the mirror. 'Outdated ... old-fashioned ... ' I thought. From the mirror a frightened, thin girl looked at me; not so old-fashioned, but so it seemed to me. And suddenly, all at once, something broke loose and changed within me. Up to that moment I had always felt an aspiration upward, heavenward, as if I had been holding on to a big, shiny balloon on which was written 'Jesus Christ and Mother of God.' This great invisible balloon had lifted me up above the earth, and I had always felt joyful and light! ... And now it was as if I had let go of that balloon and was falling heavily to the earth.

I went skating. They let me go, of course. The settlement for special status exiles was by that time just a regular village. The timber-mill stood on a picturesque spot. The Aktai River flowed into the Tura with its rocky, forested banks, through knolls and fields. Not far off, in a former convent, was a sanitarium for children. It was always merry there-in the winter there was a skating rink with music, and in the summer there were volleyball, swings and croquet. My stepmother worked at the sanitarium and therefore they let me onto the grounds, even with my friends. But on that day there was an ice skating competition there, and I decided to go skating at the homemade village rink. It was also on the Akrai River and young boys skated there. I wasn't allowed to walk there, since there were ice-holes. But that day I didn't remember that I wasn't allowed.

I skated in a very 'modern' style and imagined that I was like a championship figure-skater whom I liked very much on television. I got a running start, twirled in the air and quite skillfully, it seemed to me, flew backwards-right into an ice-hole! Was I scared and terrified? I don't know. It was like a sudden burn, only in the water! They pulled me out and ran with me to a club nearby. I had only enough presence of mind to know that I needed to dry myself off by the round Dutch oven. Then the woman who worked as a guard there came, gasped and sent a girl to my home. My parents were more frightened than I was. They changed my clothes and bundled me up. At home they gave me tea with raspberries, but by morning I was sick. My grandmother was at church and arrived only towards evening. It was twice as bad without her, and until she came I was delirious and asked to be given a balloon with the words 'Jesus Christ and Mother of God' written on it. Only when I took my grandmother's hand, as if it were the string of my shiny balloon, did I calm down.

I was ill for some time before I recovered, but as a result and a reminder I came down with pneumonia once every year after that, although in a milder form. Most often it happened on the Winter Nicholas, which was not a good sign. And so it lasted not for one or two, but for about ten years. By that time I had already married and my dear, unforgettable grandmother was no longer in this world. That year, in the spring, I had sat in a draft and once again became very ill. But I stayed on my feet for a long time, until I collapsed. It was May 19, the birthday of the Emperor New Martyr Nicholas. This day is underlined in my diary. To my sorrow I was absolutely alone at home-my husband was away on business, my relatives were far away, and there was no one to help me. But I needed help, since I couldn't even get up to answer the doorbell. Something lifeless, dead and frightful pressed me down. My spirit grew weak and I was succumbing .... I was feverish and thirsty. In the morning I felt a little better and came to. There was a smell of lilacs, birds were singing, and my fever was almost gone. There was something heavy covering me on top of the blanket. An old-fashioned officer's coat with eagles on the shoulders! Lord! Where did it come from?! A girl, about seventeen years old, was sitting in the armchair, quietly reading in a wonderfully deep voice the Akathist to St. Nicholas out of my notebook, which I immediately recognized. 'I'm hallucinating!' I was frightened. I didn't know this girl and no one-not even my niece from Leningrad, if she were here-could read the Akathist in such a manner. This unknown girl did not have modern pronunciation, but like my grandmother pronounced her 'ch' and 'shch' like someone from old Petersburg. Certainly, I was hallucinating! But for some reason I asked, 'Where did such a strange coat come from?' 'It's my Papa's,' the girl replied. 'And who are you?' 'Maria.' Which Maria? 'A nurse.'

I looked at her round face and big gray eyes. There was something admirable and meek in her appearance. Her dress was simple, light blue, and there was a fresh lilac branch in the vase. 'Give me something to drink.' She came to me with a cup of warm milk. I asked, 'Is this part of my hallucination?' 'Dostoyevsky said that there are no hallucinations or madness. It's just that in exceptional circumstances people also see the other world.' I drank the milk, and it was warm and tasty.

'Today you'll recover completely. Papa said so. Today is his birthday, and his nameday is in three days. This is a present to you from him. And I'll sit with you. Do you want me to read the service again?' 'No! Read something else, something secular and merry, and then the service .... '

The wonderful voice changed from low, soothing tones to crystal-like heights, and she read me a funny story about a young lady with a lace umbrella and a frilled skirt .... Was it Chekhov? I could in no way recall such a story. It was only in the '90s, when books by N. Taffy appeared, that I recognized it! But back then, God knows, I had only seen Taffy's name barely mentioned in soviet publications of other authors. I had not read a single work by this brilliant writer. The story ended. For some reason I didn't dare ask her to read me any more; I had somehow begun to believe in my merciful guest. She arose. Above the head of my bed there hung (and still remain) my grandmother's icons of the Savior and the Mother of God. The girl stood before the icons and I knelt in bed: 'Lord Jesus Christ, Son of God, save us and have mercy on us sinners. Most Holy Mother of God, save us.'




The Holy New Martyr Of Russia
Grand Duchess Saint Maria



Then I fell asleep and awoke healthy and refreshed. I was alone in the room. But the lilac branch was still in the vase with its wonderful scent, and it hadn't been there before my illness. The lampada was burning although I hadn't lit it; I didn't even have any oil. I usually bought menthol oil from the pharmacy, had it blessed by the priest in church and lit the lampada on feast days. But that year menthol oil had disappeared from the pharmacies, and the lampada had not been lit for three months.

But the most incredible and precious proof that I, the bad and sinful one, had been favored by a visitation from the other world was my grandmother's prayer rope! The prayer rope was real, and I still have it at home. At that moment it was hanging on the corner of the icon of the Savior. And it was that very prayer rope which we had put in my grandmother's coffin and buried her with! The little tassel on the cross, made of green yarn, had rotted, but the prayer rope itself had not fallen apart, and later I re-strung it and gave half the beads to my priest. When my aunt came to see me six months later and saw the prayer rope she turned pale with fright and then began to cry, begging me to give it to a church to avoid temptations, because signs like this bring misfortune. I have had plenty of troubles and temptations, but I won't part with the prayer rope. I wasn't about to tell anyone about it then or I would have been considered crazy, but all those close to me and my priest believed me and prayed with me. My illness passed without a trace, and the doctors were delighted when they checked my lungs.

I have a firm belief that it was through the prayers of my grandmother that I had been healed in such a miraculous way. Isn't it a miracle? I believe that it was due to her prayers to St. Nicholas the Wonderworker and the Royal New Martyrs, whom she had always honored. She and I had gone twice on a pilgrimage to what was then called Sverdlovsk [now Ekarerinburg], to the Ipatiev house [where the Royal Family was killed]. The first time was on July 4/17, on the anniversary of the murder of the Royal Family, and the second time was on May 9/22, the spring feast of St. Nicholas. People gathered at the Ipatiev house secretly, at night, because during the day the police would drive them away. I was a little girl, but I remember everyone praying quietly and telling a great number of stories of grace-given help. One young man wept and related how he'd had a revelation in a dream that the Emperor-Martyr was interceding for him before God, and that soon afterwords he had been released from prison, where he had landed innocently, through slander. The terrible Ipatiev house was probably destroyed by Satanists because the Russian people commemorated their Sovereign there, and because the Sovereign himself prays for (and will always pray for) his Holy Russia.

Now that this decisive time has come, we have even more assurance that the Lord will not be mocked. The Ipatiev house was destroyed, but we remember everything, as we remember that Ekaterinburg was shamefully called Sverdlovsk. And we remember much, not even knowing how, having been deprived of the truth by force. We remember it through some genetic memory, through our souls. You can't deceive the soul, and it will understand-even in today's half-truth, because the soul lives by the Holy Spirit.

From faraway Australia I recently received a blessing from Alexandra Filipovna Kuzminskaya-an icon of the Royal New Martyrs. In the icon's margins stand the four Grand Duchesses, like white angels: Olga, Tatiana, Maria and Anastasia. When I stand before this icon I always involuntarily think of how everything is providential, even our misfortunes. It was providential that millions of Russians at the beginning of this century found themselves in exile. Thanks to this, Russian Orthodox Churches are everywhere! On every continent the Divine Liturgy is now served in the language spoken by St. Alexander Nevsky and St. Dimitry Donskoy.... And Russia, the Great Martyr, will go through a second acquisition of faith, a saving acquisition at a time when the whole earth is spinning unbalanced through time and space, ready to overturn and burn with the sins that overflow the measure of patience. It is being held back from disaster only by holy prayers offered to God for peace, love and goodness, prayers to soften the evil hearts of mankind.

May God help us. Forgive me the daring with which I have written this story. I have written it down as it happened, without invention, without embellishing anything. This is how it happened. I have truthfully and sincerely told about the little things in which the great become manifest. May the Lord save you, dear reader.

P. S. After having reread what I have written I was tempted to make certain corrections and abridgments to make my story more literary and complete. Certainly, the fact that my grandmother's prayer rope had been brought to me from the other world is too incredible. From the viewpoint of artistic credibility this paragraph should have been thrown out. Nevertheless I have not chosen artistic credibility, but a fact from life. This is how it happened. Indisputably, from the literary perspective, Grand Duchess Maria should have been replaced by Olga or Tatiana because Maria was never a nurse, and the reading of Taffy spoils the plot. But this is not a plot, and I have not written a literary work; I have only put down everything as it happened. And since it was said 'Maria,' and 'A nurse,' I dare not change anything, no matter how incredible or unpolished it seems. Maria's pale blue dress was simple, without an apostolnik.* In my icon of the Royal New Martyrs, Maria is also depicted not dressed as a nurse, like Olga and Tatiana, but in the white dress of a Grand Duchess. The dress is covered with a pale blue mantle. She is standing on the Sovereign's side, below Olga. On the Empress' side stands Tatiana, and below her the youngest, Anastasia, dressed exactly like Maria, except that her mantle is pale pink.

Real life is always much more miraculous and incredible than anything writers or poets can think up. Certainly each one of you, I know, has had his own mystical experiences. And this healing was not the only incident in my sinful life when I, walking 'as through the midst of many snares' of the enemy, have unexpectedly received a fearful, mysterious warning or merciful support.

"O Lord, don't leave us weak and sinful ones. Save us and have mercy on us by the prayers of the Theotokos and all Thy saints."



* A head-covering worn by nuns, leaving only the face exposed. They were also worn by nurses in pre-revolutionary Russia - Trans.

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Thursday, July 02, 2009

Oscar-Winning Actor Mladen Sekulovich, A Serbian Orthodox Christian, (Karl Malden) Dies at Age 97

With the saints give rest Oh Christ, to the soul of
Thy Servant Mladen, where there is neither
Sickness, nor sorrow, nor sighing, but life everlasting.



Mladen Sekulovich (Karl Malden), the Academy Award-winning actor whose intelligent characterizations on stage and screen made him a star despite his plain looks, died Wednesday, his family said. He was 97.

Malden died of natural causes surrounded by his family at his Brentwood home, they told the Academy of Motion Picture Arts & Sciences. He served as the academy's president from 1989-92.

While he tackled a variety of characters over the years, he was often seen in working-class garb or military uniform. His authenticity in grittier roles came naturally: He was the son of a Czech mother and a Serbian father, and worked for a time in the steel mills of Gary, Indiana, after dropping out of college.

PHOTOS: Click for pics of the late Karl Malden.

Malden said he got his celebrated bulbous nose when he broke it a couple of times playing basketball or football, joking that he was "the only actor in Hollywood whose nose qualifies him for handicapped parking."

Malden won a supporting actor Oscar in 1951 for his role as Blanche DuBois' naive suitor Mitch in "A Streetcar Named Desire" — a role he also played on Broadway.

He was nominated again in 1954 for his performance as Father Corrigan, a fearless, friend-of-the-workingman priest in "On the Waterfront." In both movies, he costarred with Marlon Brando.

Among Malden's more than 50 film credits were: "Patton," in which he played Gen. Omar Bradley, "Pollyanna," "Fear Strikes Out," "The Sting II," "Bombers B-52," "Cheyenne Autumn," and "All Fall Down."

One of his most controversial films was "Baby Doll" in 1956, in which he played a dullard husband whose child bride is exploited by a businessman. It was condemned by the Catholic Legion of Decency for what was termed its "carnal suggestiveness." The story was by "Streetcar" author Tennessee Williams.

Malden gained perhaps his greatest fame as Lt. Mike Stone in the 1970s television show "The Streets of San Francisco," in which Michael Douglas played the veteran detective's junior partner.

During the same period, Malden gained a lucrative 21-year sideline and a place in pop culture with his "Don't leave home without them" ads for American Express.

"The Streets of San Francisco" earned him five Emmy nominations. He won one for his role as a murder victim's father out to bring his former son-in-law to justice in the 1985 miniseries "Fatal Vision."

Malden played Barbra Streisand's stepfather in the 1987 film "Nuts;" Adm. Elmo Zumwalt Jr. in the 1988 TV film "My Father, My Son;" and Leon Klinghoffer, the cruise ship passenger murdered by terrorists in 1985, in the 1989 TV film "The Hijacking of the Achille Lauro."

He acted sparingly in recent years, appearing in 2000 in a small role on TV's "The West Wing."

In 2004, Malden received the Screen Actors Guild's Lifetime Achievement Award, telling the group in his acceptance speech that "this is the peak for me."

Malden first gained prominence on Broadway in the late 1930s, making his debut in "Golden Boy" by Clifford Odets. It was during this time that he met Elia Kazan, who later was to direct him in "Streetcar" and "Waterfront."

He steadily gained more prominent roles, with time out for service in the Army in World War II (and a role in an Army show, "Winged Victory.")

"A Streetcar Named Desire" opened on Broadway in 1947 and went on to win the Pulitzer Prize and New York Drama Critics Circle awards. Brando's breakthrough performance might have gotten most of the attention, but Malden did not want for praise. Once critic called him "one of the ablest young actors extant."

Among his other stage appearances were "Key Largo," "Winged Victory," Arthur Miller's "All My Sons," "The Desperate Hours," and "The Egghead."

Malden was known for his meticulous preparation, studying a script carefully long before he stepped into his role.

"I not only figure out my own interpretation of the role, but try to guess other approaches that the director might like. I prepare them, too," he said in a 1962 Associated Press interview. "That way, I can switch in the middle of a scene with no sweat."

"There's no such thing as an easy job, not if you do it right," he added.

He was born Mladen Sekulovich in Chicago on March 22, 1912. Malden regretted that in order to become an actor he had to change his name. He insisted that Fred Gwynne's character in "On the Waterfront" be named Sekulovich to honor his Faith, Church and Heritage.

The family moved to Gary, Indiana, when he was small. He quit his steel job 1934 to study acting at Chicago's Goodman Theatre "because I wasn't getting anywhere in the mills," he recalled.

"When I told my father, he said, `Are you crazy? You want to give up a good job in the middle of the Depression?' Thank god for my mother. She said to give it a try."

Malden and his wife, Mona, a fellow acting student at the Goodman, had one of Hollywood's longest marriages, having celebrated their 70th anniversary in December.

Besides his wife, Malden is survived by daughters Mila and Cara, his sons-in-law, three granddaughters, and four great grandchildren.

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